The Importance of Supporting Characters: Creating a Dynamic Cast of Characters that Support the Protagonist

by Ann Marie Williams In Nancy Meyers’ movie The Holiday, Eli Wallach’s character, Arthur Abbott, tells Kate Winslet’s character: “Iris, in the movies we have leading ladies and we have the best friend. You, I can tell, are a leading lady, but for some reason you are behaving like the best friend.” If this line weren’t … Continue reading The Importance of Supporting Characters: Creating a Dynamic Cast of Characters that Support the Protagonist

Writing Tips: The Differences Between Concept, Plot, Structure, Formatting, and Theme (and how they all interrelate)

by Ann Marie Williams This was originally posted back in April 2019, but NaNoWriMo seemed like the perfect time for a revisit (since the post pertains as much to novel writers as it does to screenwriters). I hope you enjoy and find it beneficial! In the writing world, you often hear terms like theme, concept, … Continue reading Writing Tips: The Differences Between Concept, Plot, Structure, Formatting, and Theme (and how they all interrelate)

Halloween Writing Prompt

by Ann Marie Williams Keep those creative juices flowing this Halloween! What if each group of trick-or-treaters was a writing prompt?  What story could you conjure up in which those characters all come together?

Dealing with Critiques and Rewrites: Try to Find Something Actionable in Every Critique You Receive

Except from Screenplay Competitions: Tools and Insights to Help You Choose the Best Screenwriting Contests for You and Your Script by Ann Marie Williams © 2019 It’s important to realize that you don’t have to take every suggestion from every critique you receive. However, if you find that you’re disregarding all your critiques, then it could be because you’re too … Continue reading Dealing with Critiques and Rewrites: Try to Find Something Actionable in Every Critique You Receive

Quick Tip: Writing Dialogue

by Ann Marie Williams Sometimes, while reading through my script, I like to ignore the character cues before each chunk of dialogue. If I can't tell which character is speaking without the aid of the character cue, then that's usually a sign I need to rewrite the dialogue.

Dealing with Critiques and Rewrites: Be Honest with Yourself

Except from Screenplay Competitions: Tools and Insights to Help You Choose the Best Screenwriting Contests for You and Your Script by Ann Marie Williams © 2019 A fundamental skill you need as a writer is the ability to be honest with yourself. No critique, including your own, will ever be as effective as it could … Continue reading Dealing with Critiques and Rewrites: Be Honest with Yourself