by Ann Marie Williams, © 2020 Not every screenplay competition requires judges to read every entered script in its entirety. While it's likely that a judge will be required to read a script in its entirety in order to advance the script, some competitions allow judges to eliminate scripts after a pre-determined minimum number of pages read (e.g. the first thirty pages). … Continue reading How Much of a Script Do Screenplay Competition Judges Read?
by Ann Marie Williams © 2020 If you've been reading my last few posts, you already know that each day this week I'm taking a look at one of the following terms: concept, plot, structure, format, and theme. I'll give my explanation of the terms, their role in storytelling, and how they interrelate with each … Continue reading WRITING TIPS: WHAT IS STRUCTURE?
by Ann Marie Williams © 2020 This week I'm discussing the terms concept, plot, structure, format, and theme. Each is a different attribute of story, but each also affects one another (e.g. structure affects plot, plot affects theme). So, since that can complicate how we define and understand each term, I'm going to look at … Continue reading WRITING TIPS: WHAT IS PLOT?
by Ann Marie Williams © 2020 In my previous post, I discussed how the terms concept, plot, structure, format, and theme are often used in the writing world, but there isn't always a universal definition for each term. Moreover, even though each term refers to a unique attribute of storytelling, those attributes affect one another … Continue reading WRITING TIPS: WHAT IS CONCEPT?
Except from Screenplay Competitions: Tools and Insights to Help You Choose the Best Screenwriting Contests for You and Your Script by Ann Marie Williams © 2019 It’s common for screenwriting competitions to use the term judge and/or the term reader to refer to an individual who reads, evaluates, and ranks scripts in their competitions. Why the two terms? It’s … Continue reading Screenwriting Competition Terminology: The Difference Between Readers and Judges
by Ann Marie Williams While not all screenplay competitions operate in the same way, typically the screenplay competition process covers five basic steps: accept, read, rank, advance, award. And while these steps may seem obvious at first, there are details relative to each step that I believe are worth noting to help writers improve their … Continue reading The Five Steps of Screenplay Competitions
by Ann Marie Williams, author of Screenplay Competitions: Tools and Insights to Help You Choose the Best Screenwriting Contests for You and Your Script To help discover which types of scripts (genre, tone, intended audience, MPAA rating, etc.) advance in which screenplay competitions, I've created a (totally unofficial) survey and I'd love your participation. If … Continue reading Screenplay Competitions Survey: What types of scripts advance in which competitions?
by Ann Marie Williams author of Screenplay Competitions: Tools and Insights to Help You Choose the Best Screenwriting Contests for You and Your Script Thank you to everyone who participated in the “Screenplay Competitions Survey” so far! Your answers are greatly appreciated! This is an ongoing survey (as competition results continue to pour in). So, … Continue reading Screenplay Competitions Survey – Initial Results
by Ann Marie Williams When you enter a screenplay competition, typically you'll be required to submit a logline (or short summary) of the script you're entering. However, while that logline is often used for administrative and/or promotional purposes, often your script's logline is never seen by the competition judges. Is this important for you, the … Continue reading The Cold Read: What do screenplay competition judges know about your script prior to reading it?